Artist Statment

As a photographer, I find it fascinating how the passage of time changes our perception of things. I’m particularly drawn to subjects that are old and decaying because they tell a story and evoke deep emotions. Inspired by the iconic album cover of Led Zeppelin's *Physical Graffiti*, I have a special appreciation for building facades; they narrate their own tales. To me, everything in the universe has a rhythm, and everything dances.

I aim to capture that essence in my photographs. While photography is my primary art form, I have also spent 26 years honing my skills in woodworking and imaging. This unique blend of knowledge has allowed me to develop a distinctive process that employs reflective aluminum foil, translucent inks, and a glossy finish to bring my images to life. The result is colorful, vibrant, and lifelike art that leaves a lasting impression on everyone who sees it.

Since everything is done in-house, I ensure that the utmost care and precision are applied to each piece I create. This process took me two years to refine, and now, after a decade, I keep finding ways to perfect it. My dedicated studio spans 2000 square feet and is solely focused on production, guaranteeing that each piece is crafted with the highest quality standards. Ultimately, my unique process creates art that captivates and leaves a breathless impact on viewers.


 
 
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The Present

Represented by many galleries across Canada and USA, Phil is one of the rare photographers that does all his production in-house. As a fine art photographer only since 2017, he has received many awards and sold over 1,500 artworks across four continents. From his 220 sq. f. living room where the first artworks were done, he now works in a 2,000 sq. f. studio dedicated to production. By giving the greatest gift to his life and merging multiple passions, he keeps bringing his art and project to another level. 


 
 
 
 
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HOW I GOT HERE…

 
 

Chapter One, The Printmaker

I was born in a print shop in Maniwaki, a small town on the Quebec side of the Ottawa region. The shop, originally called "Imprimerie Carriere," was a proud family business run by my uncle. It was a large operation, but unfortunately, it did not survive the economic crash of the early 1980s. After this setback, my dad started his own print shop in our garage, and it's in this garage that we continue to build the frames today. I find something poetic about that.

 

One day, my dad brought home the first black-and-white Mac computer. Although it was primarily for work, I had the opportunity to play with it while he was printing. Instead of engaging in typical childhood activities, I began replicating logos and other designs. Before long, I was creating fake college ID cards for my brother and his friends. It was much easier back then, and without realizing it, I fell in love with graphic design and learned so much! A few years later, I decided to study graphic design in college. However, I didn’t have time to finish the program because I was called to help at my dad’s shop, where I worked for several years, mainly in the sign department.

 
 
 

Chapter two, The Woodworker

Another hobby that turned into a passion and eventually a profession! It all began at the sign shop the day a customer requested cut-out signs. My dad, the "grandmaster," declined the project, stating it wasn't suitable for us. I asked if I could take it on after hours. The project turned out so well that we decided to invest in a few pieces of equipment and expand our offerings. A few years later, I was earning money from hand-carved signs and wood sculptures. I miss sculpting and intend to return to it someday.

This entire journey inspired me to study woodworking, and I eventually became a CNC programmer and furniture designer. Furniture design remains a significant passion of mine, so don’t be surprised if you come across a few pieces for sale on this website someday!

This adventure pushed me out of my comfort zone and helped me build confidence. With the knowledge I gained from the printing and woodworking industries, I became a strong candidate for a company that provides equipment and supplies to both sectors. A new adventure was waiting for me in Montreal!


 
 
 

Chapter three,
The Photographer

Becoming a fine art photographer—or at least trying to—felt like a logical step for me. After moving to my new job in Montreal, I gained access to the best imaging equipment on the market and still had access to a woodworking shop in Maniwaki. Unfortunately, my new job wasn’t fulfilling my creative needs, which led me to explore photography. 

Once I realized I wanted to become an artist, the most frustrating part was finding my style. I wanted to explore everything—nature, portraits, architecture, and street photography—but I knew I needed to focus on one area.

One night, while listening to Led Zeppelin's *Physical Graffiti* album on vinyl (feel free to call me a hipster, but it really does sound better!), I was captivated by the cover. It showcases the façade of a building in New York City, and I have always been fascinated by it—the symmetry, the story behind the image, and the building itself. That night, I realized I might have found my focus. The next day, I began photographing façades in Montreal, and now, nearly ten years later, I am traveling the world, capturing images of building façades.


 
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